Posted: Sep 18, 2024
Category: Music Streaming
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**Guest post by One Submit, a spotify promotion service.
"The situation brought by “Eight Mile Style” the co-publisher of 242 Eminem tracks, consisting of hits like "" Lose Yourself"" as well as "" The Real Slim Shady,"" was ruled in Spotify's favor regardless of the court acknowledging that Spotify did not have the appropriate permit for these tracks.
The judgment nonetheless did not just prefer Spotify; it additionally put the blame on Kobalt Music Group, which took care of the legal rights to the tracks. This situation highlights the complicated and frequently periphrastic nature of song legal rights administration in the electronic age, giving beneficial lessons for legal rights owners and the song market at large."
Posted: Aug 13, 2024
Category: Licensing
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**Guest post written by Caleb Murphy for Bandzoogle.com.
"In the sync licensing world, any little edge could help you succeed. Most importantly, you want it to be as easy as possible for sync licensing people to listen to and use your music in TV shows and movies. I’ve gotten several placements on TV shows and in indie films as an indie artist, so I want to share what I’ve learned first-hand and through research. I’m not an expert, but this article will be a good introduction to how to optimize your website for sync licensing. Hopefully, doing these things will increase your chances of getting placements."
View Full ArticlePosted: Jan 17, 2024
Category: The Musician Business
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**Guest post by Oren Sharon, founder of One Submit, a music promotion platform for independent artists.
"Spotify recently announced it has made serious changes to its royalty model that will affect independent musicians, digital distributors, and eventually the whole music industry. [This] is a summary of the changes made by Spotify, starting on January 1, 2024, and their anticipated impact on Spotify's royalty pool and all the players in the industry."
Posted: Nov 1, 2023
Category: The Musician Business
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**Guest post by One Submit, the ultimate music submission platform.
"Being a full-time artist, musician, or vocalist is no different from being a mechanic, a carpenter, or an attorney. You'll eventually get there if you wake up to work every day. One of the most effective ways to do this is to diversify your sources of income. Try to locate multiple sources of income that will eventually add up to a respectable monthly salary, rather than putting all your eggs in one basket. Here are the top 12 ways to make an income as a musician..."
Posted: Feb 2, 2022
Category: Royalties
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**Guest post written by Blake Morgan, artist, musician, record producer, CEO of ECR Music Group, and founder of #IRespectMusic. Originally featured on Hypebot.com.
"Artist and advocate Blake Morgan has penned a letter on behalf of more than 14,000 petition signers calling for artists to finally get paid when their music is played on AM/FM radio...The letter was sent to the Board of Directors at the two largest radio broadcasters in the US, iHeartRadio and Cumulus Media. Both earn billions of dollars in ad revenue yearly while refusing to share it with the performing artists whose music makes it all possible. This Wednesday February 2nd at 10 AM ET. the House Judiciary will hold a public hearing on changing that by passing the American Music Fairness Act."
View Full ArticlePosted: Jan 10, 2022
Category: Technology
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**Guest post written by Bear of MusicRiser.com.
"A cryptocurrency is a form of digital currency that is designed to work as a medium of exchange. The crypto coins use blockchain technology for transactions, an open-source, decentralized, public ledger that records transactions on the network...I bet you all heard about Bitcoin or crypto until now, and lately, a new concept has been raised, and it's called NFT."
Posted: Nov 29, 2021
Category: The Musician Business
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**Guest post written by Yona Marie, originally featured in her blog.
"Releasing songs as an independent artist is pretty easy thanks to technology. 50 years back, you'd be out of luck for the most part, but now is the best time to thrive as a musician or artist without having to rely on a label! The main thing about being independent is that you want to make sure you're always growing and learning when it comes to music industry knowledge. You are in charge of your career and will not have any big-money company backing you or guiding you."
View Full ArticlePosted: Jul 19, 2021
Category: Royalties
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**Guest post written by Cyber PR, originally featured on the Cyber PR Blog.
Posted: Apr 6, 2021
Category: Royalties
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**Guest post by Randy Chertkow and Jason Feehan of MakingMoneyWithMusic.com. Originally featured in the Disc Makers Blog. Reprinted with permission.
"The new Mechanical Licensing Collective collects digital audio mechanical royalties from download and streaming services. Learn about the collective and see if you qualify to sign up so you can receive these new music royalties."
View Full ArticlePosted: Apr 20, 2020
Category: The Musician Business
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**Guest post written by Jordan Gates, of Megaphone Agency.
"This isn’t the first time [the music industry] has been forced to adapt to tremendous change and adversity. No one is immune to the threats of disruption, volatility, and hyper competition that exist in this industry. Despite the fickle nature, there are things artists can do to set themselves up for success in the long run. Here are some thoughts on how to weather the storms and come out on top..."
Posted: Jul 15, 2019
Category: Music Streaming
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**Guest post written by Tatiana Cirisano, originally featured on Billboard.com.
"Spotify is drawing heat from artists and music execs for an ad campaign that urges listeners to "dance like nobody's paying," a pitch for its free 30-day Spotify Premium trial..."
View Full ArticlePosted: Mar 4, 2019
Category: Performance Rights Organizations
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**Guest post written by Scott Aumann, originally featured on The Legit Musician blog.
"I am always surprised at how many musicians I talk with that really have no idea what a Performance Rights Organization is, or what it does for artists. I’m not just talking about indie musicians either. Some well-known national acts are in the same boat and could learn some things from this post. Let me explain how you can become a pro by joining a P.R.O."
View Full ArticlePosted: Feb 19, 2019
Category: The Musician Business
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**Guest post written by Donna Maurer, a contributor on multiple music blogs and lover of creating helpful articles for her fellow musicians and music lovers.
"If you want to be successful as a musician today, you must learn to diversify your income streams. That way, when the live gigs and album sales slow down, you’ll still have money coming in from other areas to keep you going until things pick up...Here are some unique and creative ways to make money when your career hits a lull."
Posted: Jan 15, 2018
Category: Royalties
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**Guest post written by Blake Morgan, artist, musician, record producer, CEO of ECR Music Group, and founder of #IRespectMusic. Originally featured in The Huffington Post and later featured in The Trichordist and Digital Music News.
Last week, Blake Morgan published a story in the Huffington Post that discussed his heated exchange with Spotify execs in a closed-door "artists-only" meeting. Just as the article was gaining traction, it was suddenly removed...Here's Blake's original article...
View Full ArticlePosted: Oct 23, 2017
Category: Touring
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**Guest post written by Andrew Tufano, Nashville based Acoustic Pop Singer-Songwriter.
Posted: Jun 5, 2017
Category: Copyright
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**Guest post written by Clay Mills, hit songwriter, producer, performer, and founder of SongTown.com.
Posted: May 22, 2017
Category: Licensing
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**Guest post written by Donna Kay of Donna Kay & The Carousers.
"After the time and expense of recording, mixing, designing the cover artwork, and launching the CD, I had two tasks: Copyright the CD, and obtain the licenses to release (for sale) and perform our version of “Minor Swing”...I had to obtain two permissions to use the song: One from the owner of the publishing rights, and after submitting their permission in writing, the Easy Song standard licensing fee to record and perform our version of the song. This took a full month of digging, e-mailing, getting responses and finally finding two brothers in NYC who run a publishing company and own the rights the song."
View Full ArticlePosted: Feb 27, 2017
Category: The Musician Business
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**Guest post written by Nicholas Rubright of Dozmia.
"Releasing music requires a huge amount of work, which makes it easy to miss something important. In addition to promoting your new release – sending it to radio stations, getting bloggers to write about it – there are some important things to take care of on the administrative side. Here’s a checklist of all the boring things you should take care of when releasing new music..."
View Full ArticlePosted: Aug 16, 2016
Category: Royalties
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**Guest post written by Katie Lott, Songwriting & Voice Coach, as featured in her blog Modern Songstress.
Posted: May 9, 2016
Category: Royalties
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**Guest Post by David Lowery, frontman from Cracker and Camper Van Beethoven. Originally featured in The Trichordist.
Posted: Jun 22, 2015
Category: Music Streaming
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**Guest post written by Megan Liscomb, originally posted on TakeLessons.com.
"Online streaming is changing the face of the music industry, for artists and fans alike. Recently, Apple announced their entry into the streaming game via their new music streaming service Apple Music, due out June 30.
So what does Apple Music mean for you? Whether you're looking at the service as an artist or as a music fan, here's what Apple Music has to offer..."
View Full ArticlePosted: Feb 10, 2014
Category: Royalties
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**Guest post written by Blake Morgan, artist, musician, record producer, and founder and owner of ECR Music Group.
Posted: Feb 3, 2014
Category: Digital vs. Physical
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**Guest post written by Danny Schmitz, an indy musician, writer, and connoisseur of all things Mexican food.
Posted: Nov 11, 2013
Category: Fundraising
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**Guest post written by Dae Bogan, Music Industry Insider For The Indie Artist, of Dae Bogan Music.
"What do you do when you don’t have a label underwriting your career and you have to choose between paying your personal bills and paying a studio engineer, publicist, or rental van company? You fund raise!" But how...
View Full ArticlePosted: Oct 21, 2013
Category: Performance Rights Organizations
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**Guest post written by Dae Bogan, Music Industry Insider For The Indie Artist, of Dae Bogan Music.
"A lot of indie artists are confused about the difference between ASCAP, BMI, SESAC and SoundExchange. I’ll attempt to break down the most important differences between these groups and elaborate towards the end about other considerations and other royalty collection entities."
View Full Article