Posted: Sep 28, 2020
**Guest post written by Marty Dodson, a multi-hit songwriter, co-founder of SongTown, and co-author of The Songwriter’s Guide To Mastering Cowriting and Song Building: Mastering Lyric Writing.
Posted: Sep 24, 2018
**Guest post originally featured on Ditto.com.
Posted: May 21, 2018
**Guest post written by Scott Aumann, originally featured on The Legit Musician blog.
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"If you are trying to license your music then you really need to think about alternative versions. Especially, instrumental versions of your songs."
Posted: May 22, 2017
**Guest post written by Donna Kay of Donna Kay & The Carousers.
"After the time and expense of recording, mixing, designing the cover artwork, and launching the CD, I had two tasks: Copyright the CD, and obtain the licenses to release (for sale) and perform our version of “Minor Swing”...I had to obtain two permissions to use the song: One from the owner of the publishing rights, and after submitting their permission in writing, the Easy Song standard licensing fee to record and perform our version of the song. This took a full month of digging, e-mailing, getting responses and finally finding two brothers in NYC who run a publishing company and own the rights the song."View Full Article
Posted: Oct 31, 2016
**Guest post by Brian Penick as featured on the SOUNDSTR Blog.
"Editor’s Note: This infographic is intended to visualize the world of General Licensing and how proposed changes could affect songwriters and music licensees."View Full Article
Posted: Oct 24, 2016
**Guest post written by Ari Herstand, the author of How To Make It in the New Music Business. It originally appeared on Digital Music News.
Posted: Mar 21, 2016
**Guest post written by Matt Bacon, originally featured on IndependentMusicPromotions.com.
Posted: Dec 14, 2015
**Guest post written by Michael Gallant as featured in the Disc Makers' Echoes Blog.
Posted: Nov 17, 2014
**Guest post written by Jennifer Kes Remington, composer and filmmaker, as featured on Pyragraph.
"So in my quest to throw multiple things against the wall and hope that money comes out of it, I’ve been licensing a lot of my music to library companies...I asked a few other composer friends if they knew of any library companies offhand. On their initial recommendations, I started entering my music into a couple music libraries, and waited and watched as the royalties came in..."View Full Article
Posted: Aug 4, 2014
**Guest post written by Ari Herstand. It originally appeared on Ari's Take.
Posted: May 5, 2014
**Guest post written by Mallory Zumbach, Sr. Director of Creative at Round Hill Music.
"You might be wondering what exactly a company like RHM looks for when they’re signing a songwriter, artist, or band with the goal of having significant synch success with them. First and foremost, of course, we want to work with tremendously talented people. The music has to make us sit up and take notice the first time we hear it—if it does, we know that people in the synch world will take note, too..."View Full Article
Posted: Jan 20, 2014
**Guest post written by Chris "Seth" Jackson, a bass guitarist and composer and founder of HowToRunABand.com.
"My band is recording a cover song, Baby Got Back by Sir Mix-A-Lot. Since it’s a cover song, I need to get the rights to use it. I found a really easy and affordable way to license the music! But, I also found a giant and annoying snag in regards to YouTube. A snag so big it makes me a bit resentful of the music industry’s antiquated ways."View Full Article