Posted: Sep 24, 2018
**Guest post originally featured on Ditto.com.
Posted: Oct 24, 2016
**Guest post written by Ari Herstand, the author of How To Make It in the New Music Business. It originally appeared on Digital Music News.
Posted: Mar 21, 2016
**Guest post written by Matt Bacon, originally featured on IndependentMusicPromotions.com.
Posted: Jan 25, 2016
Category: The Musician Business
**Guest Post written by Jay Rutherford of Los Colognes.
"Like millions of other morons out there, I'm attempting to make music both the primary joy and primary financial security in my life. My band Los Colognes has achieved marginal success, just enough to get mom and dad off our backs, so to speak. Without further adieu, here’s me convincing myself I have achieved some wisdom, when in reality I have no psychological control over any of it yet. Pretend this is the Old Ben Kenobi version of me, from somewhere in the future..."View Full Article
Posted: Dec 14, 2015
**Guest post written by Michael Gallant as featured in the Disc Makers' Echoes Blog.
Posted: Aug 4, 2015
**Guest post from the DIY Musician Blog.
"One of the other topics of consistent confusion for our members is the differentiation between what a publishing administrator does and what a performing rights society does. Many members of ASCAP, BMI or SESAC that I’ve heard from think their performing rights society IS their publisher and that they are getting all of the income they’re entitled to directly from that P.R.O. (performing rights organization). In this article, I relay a couple of actual questions we’ve received on the topic and try to give some clear, concise answers."View Full Article