Posted: Jul 13, 2015
Category: Live Performance
built-in crowds convenience draw exposure fan engagement friend support local concert goers promotion
**Guest post written by Cristof Ensslin, cellist/manager of The Wilhelm Brothers, folk rock with cello infusion from Asheville, NC. This article was first published in The [DIY] Musician blog on 6/16/2015.
"Are you booking for an indie band? Have you ever come across a venue mentioning you ought not to play another show within a certain radius and timespan? Chances are, you have.
+Don't Kill Your Hometown Crowd
For example you aim to play in a city on tour route. One venue wants to book you Wednesday night, the other Thursday. Say now, one (or both) of them may not like that. This happens to us not very often, but when it does it tends to occur in big cities like Boston, NYC, Atlanta. Let's see why:
Venues have good reasons to think that way. Clearly, the feared downside is, that your draw may be split up between the two (or more) venues and dates. Especially when it comes to that part of your crowd that are your friends. You may be able to cajole them to one show, but not necessarily to two. That would reasonably cost revenue. Rents and other costs are high, tending higher, especially in the big cities. So, every penny counts. Understood.
From self-help, business and success literature, we all know that fear-based behaviour and decisions are to be avoided. Opportunity thinking based around "how can we make things happen" are to be favored. This holds true not only in general, but also in this specific case of touring bands trying to make the most of their gas money spent (note to self: reflect on possibility that there may be an element of fear in our own approach; to be overcome.).
Why is there and where is the opportunity? Because of who your draw is made up of.
Who Your Draw Is Made Up Of
As mentioned above, you may not get them to both shows, but could cajole them to one. Here's the catch: some of your friends have a work assignment due on Thursday morning, so cannot come Wednesday night, but the day after would love to come. The other way around, some folks can make it Wednesday, but not on Thursday as for their kids' piano lessons for instance. At the same time, your friends will tell their friends and send them to your performance. Either way, the likelihood of friends (or your friends' friends) coming, increases, the more shows you have in town. This happens to us all the time. Okay, maybe not always, but a lot of times. A lot more often than the main argument of the venues may allow for.
+Build a Fan Base in Your Hometown First
Your fans will choose the show that fits their schedule better, and the venue they like better (they're usually not so price sensitive, especially if they can hear you for say $8 or $12 in a listening room vs. for free in a noisy bar). Superfans will come to both shows. They will bring their friends or at least tell them that you're in town. So the fan-induced (=most powerful as it is authentic and from a third party) promo will increase your overall draw, likely helping both shows and both venues.
+Dear Indie Band, Your Friends Are Not Your Fans
The built-in folks (the venue's business model and stage in development allowing) are regulars, semi-regulars or non-regulars of the venue. They may or may not care who's coming to play. They just like that their is the vibe of live music (or they like the food or the bartender). They may even like the idea of supporting local and independent music. They may even tip you well and buy a CD. But they would in most cases not change the place they go to. That's because they are creatures of habit. So, if they are Wednesday-kind-of-people and like venue A, they will go on Wednesday to venue A and maybe decide to stay for another round of drinks or two longer, if the band is good. They don't care whether that band plays another gig the next day two blocks down the road. We know this first hand. We could play the same town one month at venue A, folks love us, buy CD's, cheer and go the all out and like us on Facebook. When we come the next month (notice: 4-6 weeks gap that the venue asked for was complied with) to venue B, these folks still rave about us, but hang out at venue A.
+7 Tips to Increase Your Exposure and Potential
Here we have them, they are our favorites. These guys and girls comb through the local event listings to see what's going on in the local world of music. As they go up and down the pages, they see three dozen band names they have never heard about. Then they read another unknown band name, i.e. yours. Twice. Back-to-back. Wednesday at venue A, Thursday at venue B. This stands out, so chances are, the concert goers will check you out. So, just because they've seen your name (=brand) more than others', they'll check you out. Marketing 101. Meaning, they wouldn't come see you if you only played one show. They wouldn't even think about it, because you went unnoticed. Now that you do stand out though, these music lovers will see what combination of day of week, date, time, price and venue fits them better and will go. If they can make it to the first show (good for venue A) and like it, there's a good chance that they'll promote your second show for you and bring a bunch of friends (good for venue B).
For all four sub-groups of your draw, playing twice in a row in the same town either doesn't hurt or is even beneficiary! So, please, dear venues, embrace your touring acts (and with it your fellow local venues) and make it Win-Win for all. While yes, there is a chance you lose a little business one week (it's an outside chance, and it will even out in the end), you might just as well benefit tremendously and run more profitably. Plus, long-term, the music scene will glow and grow and attract great touring acts, securing that locals will go out and patronize your business for long times to come."
Related Blog Posts:
+Shows: Which Ones to Play, When to Play Then, and Why
+The Art of Self Promotion - How To Fill A Venue
+33 Gig Promotion Strategies (And Which Ones Actually Work!)