IOTM Blog
Posted: Jun 8, 2015
Category: Live Performance
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**Guest post written by Wade Sutton of Rocket to the Stars.
"In the second of a three-part video series, Rocket to the Stars' Wade Sutton continues examining how artists can improve their speaking skills when on stage performing at live shows!"
View Full ArticlePosted: Jun 1, 2015
Category: Live Performance
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**Guest post written by Wade Sutton of Rocket to the Stars.
"Finding a comfort zone while speaking to audiences between songs is something that has been problematic for MANY singers...So I spent a large portion of time over the past year and a half exploring this very issue and looking for ways artists can improve at this extremely important, yet often neglected, skill..."
View Full ArticlePosted: Apr 20, 2015
Category: The Musician Business
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**Guest post written by Deuce Ellis, Buffalo-born and Brooklyn-raised rap renegade. Originally posted by Cyber PR.
"Here’s My Guest Blog After Attending the #YourMusic Seminar; maybe this whole thing is easier than you think…First things first, let’s demolish whatever train of thought you may have. Demolish it. Let’s destroy and rebuild..."
View Full ArticlePosted: Mar 23, 2015
Category: Live Performance
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**Guest post written by Paula Tolly, one half of the Boca Raton based Americana duo 33 Years.
"My band recently did a gig where, just after the first song, a note was delivered onto the stage...“Turn it down a few notches, please.” Really? It’s Saturday night and this is only the FIRST song. (sigh) So I ask you, ‘what would you do?’ At first, this seems like a pretty easy question, right. But think - there you are in your first set and how do you really want to deal with this negative feedback?"
View Full ArticlePosted: Jan 20, 2015
Category: Touring
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**Guest post written by Shannon Curtis, an independent songwriter, singer, performer, recording artist, and author, as featured on Pyragraph.
"Then we discovered this awesome phenomenon of house concerts: they’re viral..."
View Full ArticlePosted: Aug 11, 2014
Category: Live Performance
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**Guest post written by Wade Sutton of Rocket to the Stars.
"When you take into consideration how many singers and musicians complain about the current state of artist-venue relationships, you would think most performers would jump at the opportunity to explore alternative methods of putting on shows and generating income...I'm here to tell you that there IS an alternative live show model, house shows, that many artists ARE having a great deal of success with...So I reached out to somebody for answers..."
View Full ArticlePosted: Jul 7, 2014
Category: Live Performance
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**Guest post written by Wade Sutton of Rocket to the Stars.
"Saxophonist Dave Goldberg has been getting a lot of attention lately for an open letter he wrote to operators of venues that host live music. The letter was Goldberg's way of sounding off against venues not paying artists as much money as they feel they deserve. The text, while not hostile in nature, was extremely misguided and managed to ignite another round of firestorms by similarly misguided artists. It was missing a lot of important information concerning why the music scene is the way it is right now and really offered little in the way of how to improve it other than to say venues should simply pay bands more money..."
View Full ArticlePosted: Jun 16, 2014
Category: Live Performance
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**Guest post written by Wade Sutton of Rocket to the Stars.
"So many artists forget about and fail to take advantage of what makes an acoustic show in a small venue so important to building a fan base. The audience is close to you. The setting is intimate. The audience can see you expressing emotions with your eyes and face. Yet so few actually capitalize on the opportunity." Read on to find out how you can...
View Full ArticlePosted: May 26, 2014
Category: Live Performance
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**Guest post written by Joshua Powell, singer-songwriter, DIY musician, and frontman for Joshua Powell and the Great Train Robbery, as featured in his blog Fearsome Folk.
"So we’re on this bill and the first act is a singer-songwriter who sang from a digital piano. Now, I have zero intentions of discrediting him or her, or of being condescending in any regard – this blog won’t serve as an outlet for snark for snark’s sake. But in my observations of this artist, I collected some notes that demonstrate well what I believe to be three ways to NOT conduct yourself as an artist who aims to be taken seriously..."
View Full ArticlePosted: May 5, 2014
Category: Licensing
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**Guest post written by Mallory Zumbach, Sr. Director of Creative at Round Hill Music.
"You might be wondering what exactly a company like RHM looks for when they’re signing a songwriter, artist, or band with the goal of having significant synch success with them. First and foremost, of course, we want to work with tremendously talented people. The music has to make us sit up and take notice the first time we hear it—if it does, we know that people in the synch world will take note, too..."
View Full ArticlePosted: Apr 21, 2014
Category: Live Performance
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**Guest post written by Joshua Powell, singer-songwriter, DIY musician, and frontman for Joshua Powell and the Great Train Robbery, as featured in his blog Fearsome Folk.
"I met with my old friend Sal at Panera one morning. He’s a young and aspiring musician and was willing to look past my greasy hair and elbow-holed flannel to ask for advice on getting his foot into the door of the independent music community....As I fumbled to explain to Sal what I believed makes our show (or any show) one of superior quality, I realized that I could distill most of the factors into four easily digestible elements...and I believe them to be..."
View Full ArticlePosted: Apr 14, 2014
Category: Live Performance
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**Guest post written by Danny Schmitz, an indy musician, writer, and connoisseur of all things Mexican food.
"Being a musician, it has taken me a long time to accept the fact that music is actually quite visual. To be honest, I’ve always intrinsically known this, but have never really realized it. There is no disputing that people associate their favorite artists with their best-known songs, but it is almost always accompanied by a visualization of the artist." View Full Article
Posted: Mar 5, 2014
Category: Renman Music & Business
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Finding the right manager might be the most important decision an artist makes after they've picked their musical partners. But finding a great manager is not easy. In this lesson of Renman U, the Renman talks about why to hire a manager, what a manager does, what qualifications you should be looking for in a manager, what personality traits to look for, when to get a manager, how to connect with a manager, and about the artist manager relationship.
View Full ArticlePosted: Dec 16, 2013
Category: Live Performance
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**Guest post written by Sarah Lynch, digital music marketing and social media content manager.
"Just how powerful does a statement have to be in order to capture an audience’s imagination?? For musicians, having a killer live show is essential because it is one of the only opportunities that fans have to see, interact with and get to know you as a person behind the music. So how do you make an audience fall in love with you?"
View Full ArticlePosted: Dec 10, 2013
Category: Fans
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**Guest post written by Dae Bogan, Music Industry Insider For The Indie Artist, of Dae Bogan Music.
"There’s something I want to share with you. You may not know this–or you might have forgotten–but your friends are not your fans. Shocking? Let me explain.."
View Full ArticlePosted: Oct 7, 2013
Category: Merch
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**Guest post written by Phil Johnson, as featured in his blog, Big Whiz Bang!
"So let me tell you my strategy for this. Just like on the internet, content is king. The more the better. Your goal should be to have a merch option for everybody that wants to take a souvenir home. And make no mistake, that’s what it is. A souvenir..."
View Full ArticlePosted: Jul 8, 2013
Category: Managers
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**Guest post written by Ari Herstand, a DIY singer-songwriter from Los Angeles, CA with 500+ shows under his belt, as featured in his blog "Ari's Take".
"A manager's biggest asset is not being you. A manager talking his band up will get a much better response than the singer talking his band up. Even if the manager is the lead singer's brother (Imagine Dragons)...You need to be kicking ass on your own BEFORE any manager will want to represent you."
View Full ArticlePosted: May 13, 2013
Category: The Musician Business
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**Guest post written by Nifty of MusicFullTime.com.
"What many struggling artists fail to realize is that “successful” musicians operate with solid business principles. Successful business models – for the most part – can be applied across different businesses and areas of life. The primary business principle I’m talking about is “putting your customer first”; in this case, your “customers” are your fans. Fall in love with your fans and stop falling in love with your own music..."
View Full ArticlePosted: Apr 2, 2013
Category: Renman Music & Business
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Evan Lowenstein started out in the music business as an artist with his brother, and they produced a top 20 single in their hey day. However, Evan felt a calling to something bigger than just his career as an artist. He wanted to help other fellow artists knowing what the struggle can be to even succeed in this business. Therefore, he decided to dive in and create a company that could serve as a platform to benefit all artists. This was the genesis of StageIt, a virtual interactive platform on the web where artists could sell their live performances. In this clip, Evan explains how he started this project and what to expect when developing your own entrepreneurship!
View Full ArticlePosted: Mar 12, 2013
Category: Live Performance
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**Guest post from Jordan Gaw of Final Drive, a Metal band from St. Louis, MO.
As an independent band, we all play countless shows in small venues and DIY spots with local promoters and club owners. Communication, respect and networking are essential for getting the most out of every gig. Gaining new fans, establishing relationships and executing an amazing show, that not only sounds, but runs smoothly, is your mission (should you choose to accept it).
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