Tagged: cd baby
Sure, we all know that releasing a CD allows you to take your music from the stage to the hands, homes, and ears of your fans. And having a cd with your best work on hand is also crucial when meeting and networking with a talent buyer, producer, or agent. But what if you don't have the budget to print a large run of your album, or even a place to store the inventory? Well you've got options...check out these on demand printing outlets so you can print just the number of cds you need, when you need them.
Hear a new song you like? It can be yours in moments. It just takes a few clicks of the computer mouse or swipes on a smart device to find the song online, purchase and download it, and hit play. Is your music available for the instant gratification of your fans? If not, you could be missing out on potential sales and NEW fans. While iTunes dominates digital music sales, you can usually land your songs on Amazon, Google Play, and others at the same time. After all, the more places that people can find you, the better the chances are of them downloading your music.
**Guest post written by Ari Herstand, a DIY singer-songwriter from Los Angeles, CA with 550+ shows under his belt. Originally written for Digital Music News and featured in his blog Ari's Take.
"Pandora Radio just quietly updated their submission process to allow anyone to submit music for consideration WITHOUT a physical CD." Here's how...
**Guest post originally featured in the DIY Musician Blog.
"Copyright law tends to get thrown under the bus in favor of more interesting topics like marketing and social media, but it’s actually one of the most important things to understand as an indie musician...You can leave the finer points of the law to lawyers, but you should have a solid understanding of the basics. Not only will this knowledge help you feel more at ease when discussing contracts, you’ll also be able to secure income streams and protect your rights. Here’s 5 points of copyright that every musician should know..."
**Guest post from the DIY Musician Blog.
"One of the other topics of consistent confusion for our members is the differentiation between what a publishing administrator does and what a performing rights society does. Many members of ASCAP, BMI or SESAC that I’ve heard from think their performing rights society IS their publisher and that they are getting all of the income they’re entitled to directly from that P.R.O. (performing rights organization). In this article, I relay a couple of actual questions we’ve received on the topic and try to give some clear, concise answers."