While Indieonthemove.com primarily functions as an open-source network and venue database for independent musicians, we strongly encourage users to create their own FREE online account to truly take advantage of the features and opportunities that our website offers.

 

Creating an Indie on the Move account provides members with the ability to: 

 

• Submit booking inquiries to all the venue bookers in our ever-growing database of clubs
• Gig Swap with every IOTM member the world over
• Rate and review venues played from an artist's perspective - good or bad we want to hear from you!
• Submit new clubs to be added to the venue database
• Locate and contact other registered Indie on the Move members through an in-depth Profile Address Book
• Manage tour itineraries and show pursuits via an online day-planner
• Add clubs to a "Favorites" folder in My Profile for easy return access 

Absolutely. For a small fee, our dedicated staff is available to chat with anyone and everyone seeking advice, references, and general insight into booking with Indieonthemove.com and maximizing the success of their next tour. Just send us a message through the "Contact Us" form at http://www.indieonthemove.com/contact.html and we will get back to you ASAP with an hourly consulting estimate.

Very, very good question. Copyrighting your music is probably one of the most important aspects of being a song-writer. Before you invest in a radio campaign or push to have your song on the next hit MTV reality series, you must copyright your music! This is the only way to legally protect yourself when someone tries to steal one or all of your songs. While hiring a high end entertainment attorney can be extremely expensive, we can refer you to an amazing legal affiliate that will do it for a much more reasonable price. Send us a message and we will redirect you to the correct person.

If you are considering going out on tour, there are a few prerequisites that must be met in order for you to make everything happen. To begin with, you should have a band website and/or MySpace.com page where fans and bookers can listen to MP3s and get a vibe of what you’re up to. You should also have a hard copy press kit or EPK (electronic press kit) that you can mail out if a booker requests it. Above all else, prepare yourself and the rest of your bandmates for the journey ahead.

We recommend starting small and booking regional tours before tackling the entirety of this great country. From there, radiate outwards from your hometown in growing concentric circles. Then you can slowly build your own circuit and become the rock star that we all know you are.

A generic press kit should include:
•    A brief biography of your musical project, no longer than one page in length
•    An 8 x 10 promotional photograph of the band
•    A three or four song demo, showcasing your best recorded material to date.
•    A fact sheet of industry, radio, and show accomplishments.  This basically acts as your musical

     resume for press people and bookers to refer to.
•    A press page with selected quotes and reviews of your live show and studio albums.
•    A radio page, containing all of the radio stations that have and are currently spinning your

     latest release.
•    A shows page explaining where and when you have played. This must include city and state

     listings when pursuing an out of state club for bookings.

Whether you’re planning to do a two-week tour or a two-month tour, first and foremost you should sit down and write up a mock itinerary. This will include the cities you plan to go to and the dates you plan to be in each city. With gas prices as high as they are, try to line up the cities in the most logical way possible as to limit driving time. For example:

R 1/8 – Boston, MA
F 1/9 – Middletown, CT
S 1/10 – Philadelphia, PA
Su 1/11 – Pittsburgh, PA

M 1/12 – OFF
T 1/13 – Cleveland, OH
W 1/14 – Columbus, OH
R 1/15 – Indianapolis, IN
F 1/16 – Frankfurt, IN
S 1/17 – Chicago, IL
Su 1/18 – OFF

M 1/19 – OFF
T 1/20 – Cincinnati/Louisville
W 1/21 – Nashville/Murfreesboro
R 1/22 – Birmingham, AL
F 1/23 – Knoxville, TN
S 1/24 – Morristown, TN
Su 1/25 – Atlanta, GA

M 1/26 – OFF
T 1/27 – Columbia, SC
W 1/28 – Charlotte, NC
R 1/29 – Mt. Pleasant, SC
F 1/30 – Fayetteville, NC
S 1/31 – Raleigh, NC
Su 2/1 – DC

Note: This will probably change quite a bit as you start the booking process. From our experience, the actual tour has never followed the initial schedule. It’s wise to have multiple options (cities and venues) for each date.

It certainly helps to delegate responsibilities to each person involved in the project. You probably don’t want to rely on just one person to do all the work, especially if it’s your first tour. You don’t want multiple people trying to book the same city either, because it often gets confusing for you and for the venue bookers. Don’t just focus on booking the shows. It’s a good idea to have at least one person working on promotion for radio and press to add to your sales pitch for clubs (“How do I promote for shows outside of my home market?”)

For the markets that you have played before, use those contacts to lock up your next date. For new markets, the easiest way to get your foot in the door is to contact other indie artists in the area. They can usually help you book the show or at least recommend clubs or other bands for you to contact (utilize the Gig Swap function available on Indieonthemove.com and/or Myspace.com). When someone gives you a contact recommendation, whether it is for a club or another band, always drop their name unless they specifically ask you not to. You can even be polite about it and ask for permission ahead of time. This makes your booking inquiry solicited.

When contacting a club, bookers tend to take you a little more seriously if you speak to them as a representative of your band rather than just as a band member. While you may play guitar or drums, you also have authority to speak for the unit, so you do truly represent the band. You can even take this a step further and create your own small booking agency or label. To make this legit, all you need to do is create a web profile for people to check if they want a reference. Either way, your introduction should go as follows:

 

“Hello, my name is …… and I represent ……

 

Don’t lie and say that you work for Sony music unless you truly do. And DO NOT attach MP3’s to your booking email.  Bookers hate to download MP3’s unless they specifically ask for them.  It is better to include a link to your website, Myspace page, or EPK so that the booker can experience streaming audio from the Internet.  And ALWAYS include as much contact information as possible, i.e. phone number, email address, band name, band website, band Myspace page, etc.

When communicating with a booker, be as concise and informative as possible. If you need to, take some time to get your spiel ready before actually establishing contact. You want to include all relative information that will convince the booker that you are going to get people through the door on the night of the show (i.e., promotional pursuits and previous draws in that market). That is what he wants to hear because that is how the club makes money.

A very helpful tool is offering to book the entire bill. If you tell the booker that you will take care of getting strong-drawing local support acts to guarantee a crowd through the door, they will usually at least put the night on hold for you until you line those acts up. In essence, you do the booker’s job for him. Then, the best ways to find local bands that the booker is comfortable with is to either ask him for recommendations or to check out the club’s calendar and make a note of the bands playing Thursday, Friday, and Saturday nights. These tend to be the bands that have proven themselves to the booker and have the strongest draws. Next, sort through these bands and find the ones that you like best and fit well with your style of music. Lastly, write them to see if they’d be interested in sharing the bill with you.

 

Another great way of finding local acts to hop on a bill is through Indie on the Move's Gig Swap function. Whether it is an actual gig swap or simply a show offer, the Gig Swap function allows you to conduct advanced searches for bands and artists by city, state, country, and genre. You can then contact them through our IOTM email system, check out their website(s) to hear a clip of their music, and view the local clubs that they traditionally play in their home market as to get an accurate idea of the size of their draw.

There are a few very good tools to use when promoting your band in a new market. As stated above, delegate someone to pursue press for the show. You can usually get a list of periodicals and fanzines by calling the club where you are booked. Now it’s up to you to persuade the paper that you are news worthy. A good question to ask yourself is, “What sets us apart from other bands?” If you’re planning to follow through with this step, you can tell the booker when you initially contact him that you will be running a promotional campaign to coincide with your tour. They like hearing that.

In addition to press, you can utilize the Internet to get people out to the shows (i.e., blogging, contacting Facebook friends, etc.). Next, make sure you send posters to the venue that you’re playing with all the show details listed on it because it looks professional, it shows the booker that you are promoting, and worst-case scenario, it at least gains you some name recognition in that market. You can try to form a street team in the cities that you are pursuing, in which case, you will need to find a very devoted fan to take the reins. If you’re successful here, you can have your street team handle the posters in said market.

In all honesty though, the best way to get people out to the show is to play with the right local band(s). It then becomes your responsibility to win over their fans and get them to come out to your next show. Lastly, you can look into doing press ads, radio ads, or running radio campaigns through various companies. This can get a bit expensive, but if you invest money into a company, they are usually more likely to help you out with favorable reviews. For example, if you buy an ad with a newspaper, that may give you a leg up on getting a feature story the week of your show.

Check out these free articles for tips : www.radio-media.com/song-album/articles/main.html. They really offer quick a bit of insight. A lot of them were written for touring bands.

There are a lot of ways to go about doing this, but here is a great new website that can help you along: www.feedthemuse.net. Basically, you create an account, set a goal, and ask your supporters (fans, friends, family) for donations. A few dollars here and there can add up quickly. Check it out.

Indeed! 

 

Booking your own tour can present a very daunting task, especially for beginners. With that in mind, it is absolutely necessary that you pursue press and radio promo (college or commercial) in every market that you are playing so that you can maximize the success of your tour. Sometimes you'll land a CD review or show listing and sometimes you won't, but the fact that you are doing the leg work and pursuing these promotional outlets means a lot to bookers and clubs in general and will help bring a stronger draw and secure future bookings in that market - not to mention that you will collect some nice press clippings and industry quotes to add to your press kit.

 

If for some reason you and your band mates simply do not have the time and energy to do all of this at once, we highly recommend the following two PR companies. We have worked with them both personally and they do amazing work. 

 

Foley Entertainment - www.foleyentertainment.com

-Dr. Eugene Foley has over 20 years experience in the music industry and has worked with everything from Major label Grammy winners to independent, DIY road dogs. He offers amazing services in tour promotions for press, talk shows, college radio and general consulting. Send him an email and mention Indie on the Move as your referral. 

 

Black Lodge PR - www.blacklodgepr.com

-Based out of Amish land Pennsylvania, the two Jeffs behind Black Lodge PR do spectacular work in album promotions and Internet marketing. Having both toured the U.S. and Europe extensively in their own bands, they have a knack for landing CD reviews in national outlets and helping to ignite a real buzz for an unknown act. Reach out to them and mention Indie on the Move as your referral. 

Do not tour without merchandise. It is not very intelligent. When first breaking into a market, even the best promotion can often yield poor results in attendance because you have yet to build name recognition in that area.  Other times, you are forced to play for exposure alone just to get your leg in the door at one of the clubs. In either case, merch sales can not only get you to the next show, but also allow you to continue and finish the tour without going bankrupt. The club never gets a cut of your merchandise sales, so this all goes to your wallet.

Taking an active approach here can really increase the amount of sales you secure.  For the most part, people tend to be a bit shy or indifferent about approaching an artist after their set to see about buying something. So instead of waiting for them to approach you, you should reach out to them. Walk around the crowd, introduce yourself to people who watched your performance and hand out promotional flyers. Every little bit helps.

When out mingling with the crowd, it’s a good idea to have an email sign up sheet for people to be added to your “newsletter.” You want to be able to keep the fans that you make, so make sure you get their contact info. Email is usually the most convenient. Once you start amassing email addresses, you can begin sending out bulletins every so often to inform your fans of upcoming shows and news. This helps get people from past shows to continue supporting your musical venture and allows you to promote new releases.

 

With that in mind, it is always important to have a reliable emailing system for sending out solicited mass mailings to your fans. Look into Constant Contact. They are a great company and extremely user friendly - www.constantcontact.com.

If you want to maximize the amount of money with which you arrive home, don’t just plan on staying in motels or hotels every night. This will eat away at your show earnings very quickly. The easiest way to secure free lodging when you don’t have friends in that city is to ask the other band(s) if they have any extra floor space for you to sleep on after the show. Anyone who has been out on the road knows how tough it can be on expenses, and is usually more than willing to accommodate you if they can.

If this does not work, ask the fans that you have made at the show. Fans always love hanging out with a band they like. Either way, staying at a new friend’s house is more comfortable than sleeping in the van or outside. A lot of times, the people you end up staying with give you free food and drinks, saving you more money in the long run. If you can’t lock up a free place to stay, Motel 6 is usually pretty nice and it’s consistently one of the cheapest places to stay in almost every city (they are everywhere too).

 

Keeping all of the above in mind, there are some items that DIY touring artists should never leave home without.
    
•    Sleeping bag and pillow
•    First Aid Kit
•    Flashlight, jack, and spare tire
•    Windshield washer fluid
•    Bottled water
•    Non perishable foods (i.e., Top Ramen, Cup of Noodles, Pop Tarts, Nutri Grain Bars, cereal,

     chips, pretzels, peanut butter, fluff, granola bars, crackers, soup, etc.)

•    Laptops – Free wireless Internet access is available everywhere and you will need it to keep

     your tour going.
•    GPS system and/or National Atlas. Although a bit expensive, a GPS system is invaluable when

     you are running late for a show and can’t find your way to the club. They’re also very useful in

     locating nearby restaurants, hotels/motels, and colleges and universities. If you can’t afford a

     GPS system, Mapquest and Google are both very reliable sources for tour routing.

•    Always have an extra roll of toilet paper in the van. Accidents happen!

 

• Almost every gas station has a microwave, so use it.  Campbell’s chunky soup keeps well and tastes great on the road.
• Every coffee shop has free milk, cream, and water.  It is wise to take advantage of these gracious offerings and make yourself a healthy cup of cereal in the morning.  Be sneaky with this one.
• Fast food joints offer plenty of complimentary utensils and tissues.  They refer to the latter as napkins.  And don’t forget your free condiments: salt, pepper, ketchup, mustard, etc.
• Nationally based, free wireless Internet sources include: coffee shops, fastfood joints, Public Libraries (and libraries usually have computers available for people that don’t have their own laptop), and colleges and universities (in this case sign in as a visitor or borrow a student’s user ID).
• Always keep up on your oil changes. Jiffy Lube is very reliable and inexpensive.
• Using synthetic oil in your engine and transmission makes the gears run a little cooler going easier on your transmission.  Pulling a trailer is hell on vehicles, and a blown transmission will ruin your tour.  Also, make sure that the transmission filter gets changed every 50K-80K miles.
• Get as many gift cards as possible at birthdays, Christmas, Hanukkah, and any other gift giving celebration.
• Always shop for food at the local supermarket.  Buy in bulk and be conservative.  
• Always remember to set aside additional band funds and income to cover gas and unexpected motel costs. 

 

Absolutely! 

 

Here are some links to companies and organizations that we truly believe are helping out the independent music scene and can aid in your success...

 

Ship King Media - www.ship-king.com

-Ship King specializes in professional quality multimedia work. From photography and videography to promotional posters and flyers, they can do it all.

 

Better than the Van - www.betterthanthevan.com

-A great resource for bands to find a place to crash while on the road.

 

CDbaby - www.cdbaby.com

-THE place to go for online distribution.  Not only does CDbaby sell your albums to anyone worldwide, but they also convert your albums to MP3's and get them posted on every major digital distribution chain on the net.

 

Stretch The Skies - www.stretchtheskies.com

 -Stretch The Skies enables independent artists to register their venue CD/Cassette/LP sales with Soundscan by acting as a label representative to legitimize their reports. Wouldn't it be nice to actually get credit for the sales you make on the road or even in your home market? Before Stretch The Skies, indie bands needed to at least be affiliated with an indie label that fit certain stipulations before being able to do this. Registering your sales is the first step in charting on the billboards. They also take it a step further and will assist you in registering your album with Soundscan free of charge. They offer many other fantastic features on their site including on-line distribution affiliated with F.Y.E.

 

Artist Data - www.artistdata.com

 -Artist Data allows bands to list all of their upcoming and past shows on all their many websites through one central hub. This website is a great tool and an even better time saver. Rather than having to go to your official website, then your myspace page, then your reverb nation site, then your purevolume site, etc. to list a new show everytime that you book one, you can instead go to www.artistdata.com, enter the show once, and it will send the show listing to everyone of your websites. It will also send these listings to sites such as jambase, eventful, and last fm thus increasing your exposure. The more your name is out there, the more people will see it. 

 

Foley Entertainment - www.foleyentertainment.com

-Not only has Dr. Eugene Foley written a great "How to do it" guide for independent musicians, but his company provides a wonderful array of publicity campaigns and radio promo to enhance the success of your independent tour.

 

Waterworks Entertainment - www.waterworksentertainment.com

-Waterworks Entertainment is an amazing home studio based out of Nashville, TN. Their rates are unbeatable and the studio has the most amazing collection of vintage studio gear we have ever seen.

 

The Sixty One - www.thesixtyone.com

 -The Sixty One functions as a site where account holders rate, review, and comment on independent artists and their music by means of a bump system. Artist accounts allow bands to upload songs on their profile along with some general information while personal account holders rate those songs. This is a great way to introduce your music to a new audience. If people like your song(s) they will "bump" you, giving your song(s) more points. Songs with the most "bumps" get placed on the site's homepage thus increasing your exposure even more. 

 

Twitter - www.twitter.com

 -Twitter is another one of the many social networking sites. It allows users to "follow" individuals, bands, websites, etc. that they are interested in by instantly updating them anytime the other account is updated. This functions as a blog based networking website.

 

Discmakers - www.discmakers.com

-THE place to go for pressing a new album or DVD.  They do very professional work, offer a great deal on 300 11x17 promo posters for $99, and provide a nice discount for BMI members.

 

Planetary Group - www.planetarygroup.com

-Radio campaigns galore.  Planetary Group does an amazing job of taking a new release to college and commercial radio stations all over the U.S.

 

Wonka Vision Magazine - www.wonkavisionmagazine.com

-Originally a fanzine based out of the Philadelphia area, Wonka Vision has expanded into an international source for independent music and full time record label.

 

Skope Magazine - www.skopemag.com

-A great online music magazine based out of the Boston area. They really embrace independent musicians and are always looking to review new music.

 

Songwriter 101 - www.songwriter101.com

-A branch of BMI, this website offers some wonderful insight into songwriting, industry News, and getting more exposure in the marketplace.

 

You absolutely must become a member of one of the big three performing rights organizations in the U.S. These organizations collect licensing fees on behalf of songwriters, composers and publishers and distribute them as royalties to their appropriate members. Check out these websites for further information and get yourself signed up ASAP...

 

BMI - www.bmi.com

 

ASCAP - www.ascap.com

 

SESAC - www.sesac.com

Very good question.  Here is a link to a vagabond traveler who blogs about all the great places he discovers in his travels across America.  Enjoy...http://vagabondappetite.blogspot.com.